Drama

Émile Zola (1840-1902) has become one of the most adapted authors of all time, but while much has been made of his adaptation into cinema and theatre, television has largely been overlooked. Yet television, with its serial structures and popular reach, is uniquely suited to the adaptation of a novelist who eagerly reworked his writing for the broadest audiences possible. It is not for nothing that broadcasters such as the BBC return to Zola so often - most recently with The Paradise (2012). In older productions, particularly, sweeping panoramas disappear, to be replaced by the boxy interior shots of studio-produced pieces heavy with dialogue. But television fulfils Zola's intention to provide, in close-up, a dissection of the characters' entrapment as they struggle beneath the weight of their heredity, era and environment.The passage from book to television is also the passage from a single author to a collective one, in a process which challenges many of the simple binaries which have dominated and limited key debates in the history of adaptation. Different identities commission, fund, write, direct and produce programmes which are then shown and re-shown in different contexts, forms, times and media packages. This volume brings translation theory into dialogue with adaptation studies to open new debates. It does so in relation to an author of key import to adaptation studies. Zola and the myriad television adaptations of his work ask us to reconsider the boundaries of authorship, adaptation and the artistic artefact.Kate Griffiths is Professor of French and Translation Studies at Cardiff University.

This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell's work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives. The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. 'Series-philosophy' is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education-in sometimes surprising ways.

TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier's monthly columns published in the French journal Libération. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Libération, as well as longer pieces, to demonstrate 'TV-Philosophy in action': Laugier's response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes-relating to politics, identity, and the stories we tell ourselves about our world-the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.

An official and comprehensive celebration of 50 years of Britain's most iconic rural soap<BR><BR>Everything you need to know about Britain's most iconic rural drama can be found in this beautifully designed and fact-filled book.<BR><BR>Celebrating 50 years since the show's creation, this book is packed with history, engrossing features, long lost imagery, and plenty of behind-the-scenes detail. Each character, event, family and location is explored in exhaustive detail, with special features on Emmerdale legends, the show's villains, births, marriages, deaths, and celebrity cameos, bringing all the highlights together with interviews and insights from cast and crew members past and present.<BR><BR>This book also includes gatefold section on key family trees, a specially commissioned map of Emmerdale and bespoke artworks for each location, making it a truly desirable package to read or give as a gift.<BR><BR>50 Years of Emmerdale is a stunning and engrossing book, which will delight every fan of this iconic show.

IN SEARCH OF FLINT McCULLOUGH, and ROBERT HORTON, The Man Behind the Myth Robert Horton was born in Los Angeles, in July 1924. He came from a family peopled by professional men; lawyers, doctors and churchmen. His father was a highly successful insurance agent. The family was a large Mormon clan on both his paternal and maternal side, and Robert Horton never felt at home in it. From an early age he knew he was as unlike his relatives as chalk is to cheese. He rebelled against all its conformities and he only found his true vocation when he turned to the stage and decided to become an actor. Blessed with incredible looks, as well as a wonderful baritone singing voice, he pursued his dream with dedication and determination. His passionate drive was rewarded when he won the role of scout Flint McCullough on NBC's fabulously successful Western series, Wagon Train. His portrayal of McCullough lasted for five years and brought international fame, making him one of the most famous stars on television. When he walked away from Wagon Train to fashion a career for himself in musical theater, his fame gradually dwindled. There were many reasons for that, in and out of his control, but he subsequently claimed that the twenty or so years he spent treading the boards were as rewarding to him as he needed or wanted them to be. His marriage (fourth) to singer Marilynn Bradley lasted fifty-five years, until his death, and much was written in its early stages about their love and commitment to one another. After he retired in his mid-sixties, however, that changed, and though living comfortably in the suburbs of Los Angeles, the last years of his life were full of sadness, bitterness and remorse. Nevertheless, he continues to have a following of devoted fans and admirers and this book will help to inform them of his rich legacy, his life and his talents.¿

Known for her outstanding performances on The Good Wife and ER, Julianna Margulies now unleashes her sharp talent with a powerful debut memoir chronicling her life and her work, examining from within her journey from chaos to calm."When an actor is on a long running television show, especially when the writing is superb as was the case with The Good Wife, the character becomes a second skin; they grow as you grow, they change as you change. Being an actress gives me the luxury of discovering myself. All the feelings that came up from playing Alicia allowed me to look back at my life and tap into my own vulnerability. My personal fear of the unknown reared its ugly head as I studied this character, most likely stemming from the ever-present unpredictability of my childhood." --from the introduction An apple-cheeked bubbly child, Julianna Margulies was bestowed the nickname "Sunshine Girl" by her mother at an early age. Raised between two divorced parents, often on different continents, Julianna quickly learned how to be of value to her eccentric mother and her absent father. Raised in fairly unconventional ways in various homes in Paris, England, New York, and New Hampshire, Julianna's role among the turmoil and uncertainty surrounding her was to comfort those around her, find organization among the disorder, and eventually make her way in the world as a young adult and eventually an award-winning actress. Along the way, there were complicated relationships, difficult choices, and overwhelming rejections. But there were also the moments that fate, faith, and talent assembled in a perfect storm that led to the roles of a lifetime, both professionally and personally. Unflinchingly honest and perceptive, Sunshine Girl is a riveting self-portrait of a woman whose resilience in the face of turmoil will leave readers intrigued and inspired.

After 25 years performing and teaching improv, and 40 plus years of devotion to Star Wars, Mary Carpenter has finally discovered a way to combine the two. Carpenter breaks down the "how-to," and seeks out the "why" and "what else" to give you the tools to unlock your true Jedi improv powers. This book will not just teach you how to improvise, but how to become your own improviser. Buckle in because these are the droids you're looking for, I have a good feeling about this, and it's time to punch it Chewie!

Filled with never-before-seen photos and art throughout, the much-anticipated autobiography from rock icon and lead singer of Blondie, Debbie HarryBRAVE, BEAUTIFUL AND BORN TO BE PUNK Musician, actor, activist, and the iconic face of New York City cool, Debbie Harry is the frontwoman of Blondie, a band that forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry's impact on our culture has been matched only by her reticence to reveal her rich inner lifeuntil now. In an arresting mix of visceral, soulful storytelling and stunning visuals, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It re-creates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie. Aesthetically dazzling, and including never-before-seen photographs, bespoke illustrations and fan art installations, Face It brings Debbie Harry's world and artistic sensibilities to life. Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie's breakup as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footstepsa memoir as dynamic as its subject. I was saying things in songs that female singers didn't really say back then. I wasn't submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up yet I was very serious.From Face It

The strange and wonderful place of Twin Peaks captivated audiences for more than two decades before its long-awaited return to television in 2017. David Lynch and Mark Frost created a land that embodies the politics of American culture. With its focus on small-town America and life outside urban centers, rural and suburban values play a big part in the overall Twin Peaks narrative. More than just a soapy murder investigation or a mysterious puzzle to be solved, Twin Peaks and Twin Peaks: The Return are metaphors for the political years in which they are set. The Politics of Twin Peaks investigates the show’s engagement with American politics and identity. With a close relationship between the two, Twin Peaks is the rare cultural landmark in both film and television whose timelessness is defined by the fact that it can constantly be reinterpreted. Within that sometimes dreamlike Lynchian narrative, Twin Peaks hints at, sometimes explicitly and sometimes subtly, the political fault lines in the United States. In this edited collection, the politics inherent in Twin Peaks is approached from numerous points of view.

This book provides insight into why Black Mirror has garnered so much attention. Featuring international scholars, the book reverse-engineers Black Mirror episodes and invites readers to consider their own relationships with digital technology through the work of theorists including Foucault, Baudrillard, Debord, McLuhan, and Virilio.