Homosexualität

A colorful mix of quips, verses and midnight conversations with the heavens, chroma. is the first chapbook and collection of poetry from Willie Lee Kinard III. Twenty-five pieces on love and laughter, faith and fear, magic and recovery, Kinard pens a year's worth of reflection, self-discovery, passion, and a bit of elbow grease.

In den ruinierten Landschaften einer von Kolonisierung geprägten Welt erscheint Sprache als Vehikel ökonomischer Aneignung und flüchtiger Begegnungen. Anne Storch und Ingo H. Warnke legen mit ihrem wissenschaftlichen Essay ein Tagebuch, eine Feldstudiendokumentation und einen Dialog über ihre Reise von Sylt über Kairo nach Sansibar vor - und hinterfragen dabei den linguistischen Blick ihrer Erfahrungen. Dabei gerät ihr Schreiben ins Stocken und sucht Wege zum Sprechen in der neokolonialen Welt. In Verbindung mit einer kritischen Sichtung postkolonialer Arbeiten zielt das Buch auf die Austreibung aus den Grenzen der Sprachlosigkeit.

AN EXTRAORDINARILY MOVING AND ORIGINAL MEMOIR OF GROWING UP GAY AND DISABLED IN 1980s LONDON<BR><BR>SHORTLISTED FOR THE SLIGHTLY FOXED BEST BIOGRAPHY PRIZE 2023 <BR><BR>When Emmett de Monterey is eighteen months old, a doctor diagnoses him with cerebral palsy. Words too heavy for his twenty-five-year-old artist parents and their happy, smiling baby.<BR><BR>Growing up in south-east London in the 1980s, Emmett is spat at on the street and prayed over at church. At his mainstream school, teachers refuse to schedule his classes on the ground floor, and he loses a stone from the effort of getting up the stairs. At his sixth form college for disabled students, he's told he will be expelled if the rumours are true, if he's gay.<BR><BR>And then Emmett is chosen for a first-of-its-kind surgery in America which he hopes will 'cure' him, enable him to walk unaided. He hopes for a miracle: to walk, to dance, to be able to leave the house when it rains. To have a body that's everyday beautiful, to hold hands in the street. To not be gay, which feels like another word for loneliness. But the 'miracle' doesn't occur, and Emmett must reckon with a world which views disabled people as invisible, unworthy of desire. He must fight to be seen.<BR><BR>'Vivid, engaging... this insightful memoir sheds light on the author's life as a disabled gay man who is often rendered invisible' Andrew McMillan, Guardian Book of the Day<BR><BR>'A frank and intimate memoir written with an incredible clear-eyed intensity' Claire Fuller

Foreword by Felice Picano<BR>I was on book tour in Los Angeles and had just given a reading at the old Unicorn Bookstore in West Hollywood, when I noticed a handsome young man wearing white pants and a colorful Hawaiian shirt completely unbuttoned. Several people had grabbed my attention but I turned to him and said, "We'll talk in a minute. And by the way, don't button that shirt for the next ten years." Later we did talk and he told me he had a sheaf of poetry titled Notes From a Marriage he wanted to send me, and for my SeaHorse Press to publish. By then SeaHorse had put out two successful books of poetry, my own The Deformity Lover in 1977, and Dennis Cooper's Idols in 1979.<BR>A few months later, he sent me the poetry. I read it through and enjoyed it. But I don't think he was expecting my reply. I wrote, "I like this poetry very much. But I think you should wait a few months, add to it, and send it back to me." <BR>My reasoning was that he had written of an affair that - in the words of the old song - was "too hot / not to cool down." I was right. I received a full manuscript of the earlier poems, and the ones after the breakup. Then it was a perfect book.<BR>Gavin sent me a great photo of himself, and I found a beautiful black and white photo by the author John Preston to use on the cover, and I set it in a pastel green surround.<BR>There were several but not enough good reviews. But Notes From a Marriage sold and sold, year after year. I found it on the checkout shelves of many gay bookstores, near the cash register - especially around Christmas and Valentines Day. I think it totaled 7500 copies (!) before SeaHorse Press ended and I moved west. <BR><BR>

Last Call Chicago: A History of 1,001 LGBTQ-Friendly Taverns, Haunts & Hangouts could not have been written by anyone but authors Rick Karlin and St Sukie de la Croix. Both are journalists with a keen eye for history, who reported on the events and comings and goings of Chicago's LGBTQ-friendly bars and clubs. Last Call Chicago is a walk back in time-from the Speakeasies of the 1920s to the latest hot spots, and all done without looking at a single app.Last Call Chicago: A History of 1,001 LGBTQ-Friendly Taverns, Haunts & Hangouts is a history of LGBTQ venues in Chicago going back in time as far as records of such venues exist. Both before and after Stonewall, LGBTQ bars and hangouts served the purpose of bringing the LGBTQ together and served as informal community centers. They were and are part of the vibrant fabric of the LGBTQ community. Opening Last Call Chicago is like stepping into a time machine that transports us across the years to bear witness to the triumphs, challenges, and sometimes heartaches of the LGBTQ community in Chicago.As Terri Phoenix, director of the LGBTQ Center at UNC-Chapel Hill said recently at a vigil for the victims of the Orlando Pulse shooting, "It is important for people to understand that for LGBTQ communities, a gay bar is often a home for members of a community that may not feel safe ... anyplace else in their lives ... the club is a sanctuary, a community center, a home."Last Call Chicago is like a trip home.

Last Call Chicago: A History of 1,001 LGBTQ-Friendly Taverns, Haunts & Hangouts could not have been written by anyone but authors Rick Karlin and St Sukie de la Croix. Both are journalists with a keen eye for history, who reported on the events and comings and goings of Chicago's LGBTQ-friendly bars and clubs. Last Call Chicago is a walk back in time-from the Speakeasies of the 1920s to the latest hot spots, and all done without looking at a single app.Last Call Chicago: A History of 1,001 LGBTQ-Friendly Taverns, Haunts & Hangouts is a history of LGBTQ venues in Chicago going back in time as far as records of such venues exist. Both before and after Stonewall, LGBTQ bars and hangouts served the purpose of bringing the LGBTQ together and served as informal community centers. They were and are part of the vibrant fabric of the LGBTQ community. Opening Last Call Chicago is like stepping into a time machine that transports us across the years to bear witness to the triumphs, challenges, and sometimes heartaches of the LGBTQ community in Chicago.As Terri Phoenix, director of the LGBTQ Center at UNC-Chapel Hill said recently at a vigil for the victims of the Orlando Pulse shooting, "It is important for people to understand that for LGBTQ communities, a gay bar is often a home for members of a community that may not feel safe ... anyplace else in their lives ... the club is a sanctuary, a community center, a home."Last Call Chicago is like a trip home.

The story of a nineteenth-century New Yorker's struggle to reconcile his same-sex erotic desires with his commitment to a Christian life.Angel on a Freight Train examines the experiences of Samuel Edward Warren (1831-1909), a teacher and college professor in Troy, New York, who struggled to reconcile his same-sex erotic desires with his commitment to a Christian life. Unlike twenty-first-century evangelicals who try to "pray the gay away," Warren discerned no fundamental conflict between his faith and his attraction to younger males. Growing up in the antebellum Northeast, in a culture that permitted and even celebrated emotional bonds between men, he strove to build emotionally intense relationships in many overlapping forms-friendship, pedagogy, evangelism, and romance-which allowed him to enjoy intimacy with little effort at concealment. However, as he passed into mature manhood and built a prestigious career, Warren began to feel that he should have grown out of romantic friendships, which he now feared had become emotionally and physically excessive.Based on Warren's deeply introspective and previously unexplored diaries, Angel on a Freight Train traces his youthful freedom and sensuality, his attempt to join with younger men in a spirit of loving mentorship, and, finally, the tortured introspection of a man whose age seemed to shut him out from an idyllic lost world. In the end, Warren came to believe rather sorrowfully in a radical division between his angelic, ideal self and what he called "the freight train of animal life below."

The contributors to Long Term use the tension between the popular embrace and legalization of same-sex marriage and the queer critique of homonormativity as an opportunity to examine the myriad forms of queer commitments and their durational aspect. They consider commitment in all its guises, particularly relationships beyond and aside from monogamous partnering. These include chosen and involuntary long-term commitments to families, friends, pets, and coworkers; to the care of others and care of self; and to financial, psychiatric, and carceral institutions. Whether considering the enduring challenges of chronic illnesses and disability, including HIV and chronic fatigue syndrome; theorizing the queer family as a scene of racialized commitment; or relating the grief and loss that comes with caring for pets, the contributors demonstrate that attending to the long term offers a fuller understanding of queer engagements with intimacy, mortality, change, dependence, and care.Contributors. Lisa Adkins, Maryanne Dever, Carla Freccero, Elizabeth Freeman, Scott Herring, Annamarie Jagose, Amy Jamgochian, E. Patrick Johnson, Jaya Keaney, Heather Love, Sally R. Munt, Kane Race, Amy Villarejo, Lee Wallace