Keramik

Smavos, Tnösis, Cephandrion und Graue Sonne: Hier handelt es sich nicht um Science Fiction, hinter diesen Titeln stecken Keramiken von Gereon Krebber, gezeigt in der Ausstellung Keramocringe im Skulpturenmuseum Glaskasten Marl. Begleitet werden die Keramiken von raumgliedernden Arbeiten aus verbranntem Holz. Diese Publikation dokumentiert Skulpturen und Architektur im letzten Zusammenspiel vor dem Umzug des Museums. Ein ausführliches Gespräch zwischen dem Künstler und dem Museumleiter Georg Elben erläutert Krebbers Arbeitsweise und die Wirkung seiner Werke. Die Kunsthistorikerin Maria Müller-Schareck zeigt im zweiten Text, wie entscheidend Ton als Schlüsselmaterial für das Verständnis von Krebbers Praxis ist.

Learn to make adorable items from polymer clay! Easy-to-follow techniques and step-by-step projects lead the way.<BR><BR> The Art Makers series is designed for beginning artists and arts-and-crafts enthusiasts who are interested in experiencing fun, hands-on mediums, including polymer clay, embroidery, and papier-mache. Art Makers: Make Cute Stuff with Polymer Clay is the ideal follow-up book to Art Makers: Polymer Clay for Beginners.<BR><BR> In this inviting, visually appealing book, you can learn to make adorable, whimsical crafts with polymer clay. Author Shelley Kommers, an experienced art instructor and a professional artist, takes you through the complete steps of learning to work with polymer clay, from the tools and materials you will need to techniques, such as molding, mixing colors, and baking. The projects are simple to follow and include adorable, whimsical subject matter, such as: - plant pots- a cloud mobile- finger puppets- a trinket box- a hanging sloth- and much more! This book is perfect for artists of all skill levels, from beginners to more advanced artists looking to improve their clay-making skills or learn a new technique. With colorful, full-page art, quirky subject matter, and expert instructions, anyone can learn to work with polymer clay in no time. Best of all, the tools and materials are affordable and accessible, so you won’t need to buy a bunch of stuff to get started.<BR><BR> If you're looking for a craft to make creative use of the extra time you have at home, polymer clay is the perfect choice. Get started right away making adorable, on-trend art with Art Makers: Make Cute Stuff with Polymer Clay.

DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations.First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon.In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.

What inspiration awaits within a museum? In this rare venture, a group of 14 Resident Artists from The Clay Studio worked with 7 curators to explore the Philadelphia Museum of Art's art storage vaults.This catalog--and its accompanying exhibition at The Clay Studio--reveals the thoughts, inspirations, and creative drive shared by the artists and curators. After researching and handling artifacts in an art museum's storage, each artist chose a museum object and went back to their studio to create a new work of art in response. The resulting artworks, beautifully photographed here, are accompanied by the artists' thoughtful reactions to the experience, along with candid views of the works in progress in their studios. The curators, too, describe their "aha moments" in three luminous essays. For both artists and curators, this journey from storage to studio in Philadelphia has been revelatory and points the way to exciting future possibilities for artists, curators, museums, and gallery visitors everywhere.

Jewelcase

Schuber

The contributors to this volume were challenged to produce an annotated list of their top ten ceramic objects, artists, or events for our reading pleasure. These contributions are a celebration of ceramic scholarship and collecting, full of personal experiences and provocative opinions that reveal an aspect of the industry not typically seen. Beautifully illustrated, these articles, which include examples that range from ancient Egyptian pottery to contemporary china painted pots, highlight the universal love of ceramics. The journal concludes with a series of bibliographic essays by leading authors on the most inuential ceramic publications they encountered in their careers. Now in its fourteenth year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters.