Griechische Antike

This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre's regular social degradation of these members of the elite.Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier novelists, Xenophon of Ephesus and Chariton, challenge and undermine elite stereotypes; the three later novelists, Longus, Achilles Tatius, and Heliodorus, affirm them. The critique of elite thinking about slavery in Xenophon and Chariton opens the possibility that these earlier authors and their readers included literate ex-slaves. The interests and needs of these authors and their readers shaped the emerging genre and not only made the protagonists' slavery a key motif but also made slavery itself a theme that helped define the genre.The Representation of Slavery in the Greek Novel will be of interest not only to students of the ancient novel but also to anyone working on slavery in the ancient world.

78:B&W 6 x 9 in or 229 x 152 mm Blue Cloth w/Jacket on White w/Gloss Lam

78:B&W 6 x 9 in or 229 x 152 mm Blue Cloth w/Jacket on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

Paperback

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

Im Gegensatz zur frühen Forschung zur alten attischen Komödie, die sich fast nur mit den Stücken des Aristophanes befasst hat, befasst sich die moderne Forschung mit mehreren Dichtern, vor allem Eupolis und Kratinos, den nach den alten Quellen bedeutendsten Dichtern der alten Komödie neben Aristophanes. Charakteristisch für die neuere Forschung ist auch die Einbeziehung von Aspekten wie den Aufführungsumständen und der Intertextualität. Dadurch wird die Komödie als Wettkampf zwischen mehreren Dichtern in den Blick genommen. Diese Ansätze verfolgt Natalia Kyriakidi, indem sie die Rivalitätsbeziehung zwischen Aristophanes und Eupolis untersucht. Vor allem durch die Interpretationen der antiken Scholiasten, die die Behauptungen der beiden Dichter vielfach zu wörtlich genommen haben, hat sich deren Beziehung zu einem Rätsel für die Kommentatoren entwickelt. Dazu gehören gegenseitige Verspottungen, Angriffe und Parodierungen, vor allem in den Parabasen der Stücke. Deren Analyse zeigt, dass diese Rivalitätsäußerungen, wie auch ähnliche Fälle bei anderen Dichtern, kaum ernst gemeint sind. Sie lassen sich vielmehr durch den spottenden Charakter der Gattung erklären, der sich, wie gegen jede Person des athenischen öffentlichen Lebens, auch gegen die Kollegen richtet.

The Stalingrad of the ancient world, this is an immensely readable, brilliant, brutal and vivid history of the greatest and bloodiest war of ancient Greece.The Peloponnesian War, fought 2,500 years ago between oligarchic Sparta and democratic Athens for control of Greece, is brought spectacularly to life in this magnificent study. Kagan demonstrates the relevance of this cataclysmic event to modern times in all its horror and savagery. As two uncompromising empires fight a war of survival from diametrically opposing political, social and cultural positions, the seemingly invincible glory of Athens crumbles in tragedy.Athenian culture and politics was unmatched in originality and fertility, and is still regarded as one of the peak achievements of Western civilisation. Dramatic poets such as Aeschylus, Sophocles, Euripides and Aristophanes raised tragedy and comedy to a level never surpassed; architects and sculptors were at work on the Acropolis; natural philosophers like Anaxagoras and Democritus were exploring the physical world, and philosophers like Socrates were dissecting the realm of human affairs. All this was lost to this bloody conflict.In this work of brilliant scholarship, Kagan illustrates his remarkable ability to interpret these events as a part of the universality of human experience. His clear expertise in both the ancient world and the wars of the 20th-century are combined with his storytelling gifts to give an unforgettable portrait of this pivotal war that has shaped the world as we know it.

The Alexandra is the only extant complete work of the Hellenistic poet and philologist Lycophron (3rd cent. BC). A crucial section of it deals with the fate of Odysseus. The present study undertakes an exact evaluation of Lycophron's style in order to investigate possible later emendations and the dating of the text. Lycophron's authorship of the Alexandra is not in doubt; the poem was not written in sections, nor was it composed later.The present volume contains the Greek text with a German translation, a detailed commentary and an introduction. The book concludes with two appendices, a bibliography and an index.

Frontmatter -- Die Abgrenzung des Hellenismus in der griechischen Literaturgeschichte -- 32-33

Xenophon's History recounts nearly fifty turbulent years of warfare in Greece between 411 and 362 BC. Continuing the story of the Peloponnesian War at the point where Thucydides finished his magisterial history, this is a fascinating chronicle of the conflicts that ultimately led to the decline of Greece, and the wars with both Thebes and the might of Persia. An Athenian by birth, Xenophon became a firm supporter of the Spartan cause, and fought against the Athenians in the battle of Coronea. Combining history and memoir, this is a brilliant account of the triumphs and failures of city-states, and a portrait of Greece at a time of crisis.

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