Graffiti & Street Art

Emerging forms of alternative economic frameworks are changing the structure of society, redefining the relationship between centre and periphery, and the social dynamics in the urban fabric. In this context, the arts can play a crucial role in formulating a concept of complex and plural citizenship: This economic, social and cultural paradigm has the potential to overcome the conventional isolation of the arts and culture in ivory towers, and thereby to gradually make the urban fabric more fertile. This volume faces such sensitive issues by collating contributions from various disciplines: Economists, sociologists, urbanists, architects and creative artists offer a broad and deep assessment of urban dynamics and their visions for the years to come.

Questa antologia abbraccia la carriera di Banksy nel mondo della street art dagli esordi nel 1999 a Dismaland (2015) sino alle creazioni più recenti realizzate nel 2016 e nel 2017 come 'The Walled Off Hotel' a Betlemme. Un'immagine fotografica e un'analisi approfondita presentano in modo cronologico ogni opera, la sua genesi e i molteplici livelli di significato. Una serie di mappe con le coordinate geografico-cronologiche dei suoi lavori documenta l'evolversi di questo fenomeno planetario, dagli interventi nei musei alle aste memorabili di alcuni suoi pezzi. Robin Hood dell'era moderna, Banksy rimane avvolto nel mistero anche se spesso si diverte a monopolizzare le prime pagine di cronaca spiazzando tutti con un concentrato di genialità. Das Urheberrecht an bibliographischen und produktbeschreibenden Daten und an den bereitgestellten Bildern liegt bei Informazioni Editoriali, I.E. S.r.l., oder beim Herausgeber oder demjenigen, der die Genehmigung erteilt hat. Alle Rechte vorbehalten.

The artist Mau Mau has a body of work which stretches back to the 1990s. His street art has chronicled the evolving nature of UK counter-culture and larger world themes which have impacted it. Talking Out of My Art is a chronological journey through Mau Mau's artwork. It begins with his Devon surfing roots and follows his development as a street artist, honing his skills in London, to exhibiting around the world. His street pieces are always memorable. Part of Mau Mau's enduring popularity is his ability to simplify complex themes with a quick phrase and the use of characters such as his most well-known creation, Mau Fox. Aside from walls, barns, boats and an array of other interesting places to paint, Mau Mau's work has appeared on prints, canvases, magazines, clothing and record covers and in exhibition spaces for over 25 years. This book captures the images, but it also gives a unique glimpse behind the scenes. Talking Out of My Art provides insights into how one of the UK's most iconic street artists produces his work.

Eine reife Frau erlebt die abenteuerliche Entdeckung einer anderen Kultur. Sie lässt alles zu und auf sich wirken und reflektiert dabei ihr Leben mit klarem Blick.Die Geschichten, die sich in und um Havanna sowie am Strand von Miramar abspielen, sind Metaphern für die Liebe, das Leben, Ent-Täuschungen, den bewussten Umgang mit der Zeit und der Natur und damit schlussendlich mit sich selbst.Die Wieder-Entdeckung des inneren Kindes, das Ablegen von den getragenen Masken und das Loslassen von Abhängigkeiten und unerfüllbaren Träumen, haben sie ihren Weg finden lassen. Und sie hat sich entschieden, ihre eigenen ethischen Werte mit offenem Visier zu vertreten und diese auch zu leben, selbst um den Preis der Einsamkeit - Sich nicht mehr mit Menschen und Tätigkeiten zu umgeben, die nicht zu ihr passen; zum Mut der eigenen Wahrnehmung und Handlung und schlussendlich diesen Weg auch konsequent gehen.

Paperback

Paperback

- The ultimate Who's Who of the contemporary street art scene- Completely revised and updated from the 2015 edition"It's a must-have art collection gathering dust on the coffee table, and it's just that." - NY Journal of Books on Street Art Today 1 "One of the best books on Street Art" - Amazon.com "It is a beautiful aggregation, and certainly many of these artists have been interviewed and regularly featured on websites and other free cultural outlets like this one providing depth, context, analysis, information, and exposure. Having a hard copy of this collection of fifty in your hand will help freeze this moment for posterity as the scene/s continue to evolve." - brooklynstreetart.com on Street Art Today 1 Going beyond the cliché of street art as artistically responsible graffiti, this Who's Who of the international contemporary street art scene features 50 of the top street artists working today, complete with exclusive interviews. More than a revised edition of Street Art Today (2015), this book offers a completely new and updated roster of artists, and highlights the evolution of street art in all its multi-faceted complexity. Street Art Today is beautifully presented and written, in the main, in straightforward language accessible to all.

Whimsical indoor and outdoor projects from the yarn artist known for her "boundary-unraveling work" (The New York Times).Yarn has always been a popular medium, but in the hands of artists like London Kaye, it becomes a vibrant new form for expression and personal creativity. Full of tips and techniques on crochet, types of yarn bombing, and at-home projects for the beginner and advanced crocheter, Crochet with London Kaye promises to engage and inspire crafty readers around the world.With beautiful photos of her most admired street art pieces, yarn artist London Kaye brings the lesser-known world of yarn bombing into focus, with the added bonus of more than a dozen of her most sought-after patterns: crochet covers for your sneakers, a vibrant case for that blue IKEA bag everyone has at home, or her signature eyeball that you can personalize and add to your own bag, jacket, or attire of your choosing.Her projects are unlike anything else you'll find today, and with this book you can take an up-close look at her work-and take your needlework in an exciting new direction.

Advertising Shits in Your Head calls adverts what they are—a powerful means of control through manipulation—and highlights how people across the world are fighting back. It diagnoses the problem and offers practical tips for a DIY remedy. Faced with an ad-saturated world, activists are fighting back, equipped with stencils, printers, high-visibility vests, and utility tools. Their aim is to subvert the adverts that control us.With case studies from both sides of the Atlantic, this book showcases the ways in which small groups of activists are taking on corporations and states at their own game: propaganda. This international edition includes an illustrated introduction from Josh MacPhee, case studies and interviews with Art in Ad Places, Public Ad Campaign, Resistance Is Female, Brandalism, and Special Patrol Group, plus photography from Luna Park and Jordan Seiler.This is a call-to-arts for a generation raised on adverts. Beginning with a rich and detailed analysis of the pernicious hold advertising has on our lives, the book then moves on to offer practical solutions and guidance on how to subvert the ads. Using a combination of ethnographic research and theoretical analysis, Advertising Shits in Your Head investigates the claims made by subvertising practitioners and shows how they impact their practice.

Emanating from a university teaching position in Singapore, artist Joan Marie Kelly navigates an interwoven view of complex community relations with her own status as foreigner by engaging communities with art making.Kelly connects the reader in an intimate visual narrative of lived realities through her paintings and text, immersing the reader or viewer in humanist levels of the world she navigates. She speaks to the global condition, giving it poignancy. Four scholars who have worked with Kelly closely have written essays examining the visual art and developmental processes and have lived interwoven relationships she immersed herself and others.Bhaskar Mukhopadhyay, a cultural theorist; artist Sarah Schuster, teacher at Oberlin College; Pamela Karimi, an Iranian art historian; and David Cohen, a prominent art critic in New York City, have all written from four distinct perspectives about years of artwork made by an artist deeply involved in the communities surrounding her.