Antike & klassisch

Kisah Hikayat Burung Gagak Hitam Dan Pembunuhan Pertama Di Bumi Oleh Anak Adam Edisi Bahasa Inggris Bersumberkan Dari Kitab Suci Al-Quran Serta Al-Hadist Versi Hardcover.{Then Allah SWT sent a crow who scratched the ground to show murderer) said, 'Woe to me! Am I not even able to be as this crow and to hide the dead body of my brother?' Then he became one of those who regretted.} (The Noble Quran Surah Al-Ma'idah: 31)Time changes everything. People's hair turns white as they grow older, but one thing always stays the same, the feathers of the crow that never change color. If anyone experienced what we, the crows, had experienced, his hair would never turn white.As a creature I was the only eyewitness to the first crime of murder committed on the earth. I witnessed the first drop of human blood that was shed treacherously. I also knew that Allah SWT (God) was witnessing it all.It was a very terrifying day. I knew that it was all due to Satan. How strange the actions of Satan are! How compliant human beings are to him! People love Allah SWT yet they disobey Him and while they hate Satan, they obey him. How strange the species called "humans" and how grave his contradictions are! How great Allah's mercy and forgiveness is to man! Excuse my language for I am a little bit angry.When people experience hard times they have a saying that goes: "They were days blacker than the crow's feathers." I am aware that the crow's black color irritates people but they are oblivious to the fact that even the blackest feather on the crow's body is nothing compared to the human heart when it grows black because of sin..........

« L’histoire de la Grèce est double : elle montre des faits qui excitent notre curiosité ou nous aident à former notre expérience politique, et des idées qui inspirent encore nos poètes, nos philosophes et nos artistes. C’est par les idées que les sociétés se transforment et que la civilisation se développe. La véritable histoire est donc celle de la pensée humaine ; or, vers la fin du Ve siècle avant notre ère, beaucoup de pensées fermentaient dans Athènes, et un grand homme y commençait une révolution morale qui allait donner une vigoureuse secousse à l’esprit grec ; il faut aller à lui...»

Ever since the creation of the world's first botanical and zoological gardens five thousand years ago, people have collected, displayed, and depicted plants and animals from lands beyond their everyday experience. Some did so to demonstrate power over distant territories, others to enhance prestige by possessing something no one had seen before. Exotica also satisfied intellectual curiosity, furthered scientific research, and educated and entertained. In addition, exotica, especially their state-sponsored representation, were often instruments of political persuasion, and in turn exerted considerable influence over expansionist policies. More than an account of gardens and menageries from antiquity to the present, Strange and Wonderful explores the imagery of exotic flora and fauna in Western art, seeking answers to certain fundamental and universal questions. How do artists, schooled in traditional modes of rendering the familiar, deal with the new and strange? Why are rare species deliberately introduced into images otherwise devoid of the unusual? What is the pictorialized relationship between exotic reality and artistic imagination? Karen Polinger Foster takes readers on a journey across millennia and around the globe, telling fascinating stories and meeting along the way such characters as Hatshepsut's baboons, Charlemagne's elephant, D�rer's rhinoceros, and Victoria's hippopotamus. What emerges is a sense of just how strong and far-reaching the pull of the unknown and exotic has been across time and space. Ultimately, images of the wonderful reveal as much about the indigenous as they do about the strange, enabling us to glimpse more vividly the power of imagination to mold the unknown to its purposes. This dazzling and richly illustrated volume offers a thoughtful, much-needed inquiry into a very human phenomenon.

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam

23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam