Bluegrass

Taylor Swift needs no introduction. The global superstar is one of the greatest singer-songwriters of her generation with a fanbase that covers the globe. Now it's the fandom's time to shine with FOR THE SWIFTIES: A Puzzle Book Inspired by Taylor Swift (Unofficial Version).<BR><BR>Put your Tay-Tay knowledge to the test with puzzles ranging from things you know All Too Well to slightly more tricky ones that might confound you with a Blank Space. Taking in every album she's ever made, right up to The Tortured Poets Department, and packed full of Taylor-themed quizzes, wordsearches, crosswords and much more, this is the perfect activity to do with your friends en route to a concert or at home listening to your favourite album (Taylor's Version).<BR><BR>This is the perfect keepsake of The Eras Tour and an ideal gift for the Swiftie in your life. Are you ready for it?

If there is anything that can be said to define the music scene in the Nordic countries, it is that it is tremendously diverse, something that this engaging and informative guide to Denmark, Norway, Sweden, Finland, and Iceland's folk music will demonstrate. After reading this book, the readers will be able to dance on the violins of Hardanger fiddle or listen to the otherworldly lyrics of the Icelandic ballads. Learn the background and the role of the folk music of the Nordic countries, being introduced to the genuine musical and percussion instruments, singing techniques, and dances of the region. Discover how these traditions develop both in the colourful examples, leading personalities, and performances which proved the fact of the continents' spirit and creativity in folk music life. Regardless of whether one is a fan of music, a student of history, or just plain bored with popular music of the current trend, the compilation album "Nordic Folk" opens a window into the past and present of northern folk music. From the detailed information about every performer and his or her work to the conceptional analyses and outlooks on the further development of folk music this book is a gold mine for everyone interested in the songs and tales of North-Europa. Find out what people from the North are singing about and witness the eternal beauty of the folk vocals.

The rousing, illustrated history of the Birchmere music hall by founder and operator Gary Oelze with music writer Stephen Moore. Hundreds of performers, including Ray Charles, Lyle Lovett, Buddy Guy, Mary Chapin Carpenter, Rosanne Cash, Arlo Guthrie, Tom Paxton, Vince Gill, Pete Seeger, Janis Ian, Townes Van Zandt, Steve Earle, Shawn Colvin, Daryl Davis, Joe Sample, Rodney Crowell and Johnny Cash are featured. The performers, staff, journalists, and patrons share their stories of bluegrass, folk, blues, jazz, rock, soul, and comedy shows both on and off the stage. With an index and over 250 previously unpublished photos. Foreword by Buzz McClain. Afterword by Bob Schieffer.

From his earliest recordings to his posthumously released albums, the haunting baritone of Waylon Jennings marked him as an extraordinarily individualistic country music artist. This biography by the late R. Serge Denisoff, first published in 1983, recounts Waylon’s west Texas upbringing, his introduction to music as a radio announcer at thirteen years old, his tutelage by rock star Buddy Holly, and his eventual stellar yet stormy music career. Where the original 1983 biography ends, music scholar Travis Stimeling picks up with the waning years of Waylon’s recording and performing. Stimeling recounts in the new afterword Waylon’s continued musical success in the early 1980s—though his financial troubles and battle with drugs and alcohol would soon cost him both professionally and personally—his triumphant and sober return in the 1990s and collaboration with longtime recording artists in the industry, and his continued musical relevance in an evolving industry driven by Nashville’s urban popularization of country music. Additionally, series editor Ted Olson, in his foreword, touches on Waylon’s legacy and the continued influence of his outlaw style of country music. Fans of Waylon, country music, and the Nashville music scene are sure to find this second edition of R. Serge Denisoff’s classic biography a welcome addition to the publications on the father of outlaw country.

Do you want to become the next star country music singer-songwriter but don't know where to start? Congratulations, you've come to the right place! This HowExpert guide contains everything you need to know.Written by country music singer-songwriter Caroline Watkins, this guide goes into detail on every topic you need to understand in order to make it big in the country music industry. In this guide, you'll find information such as:¿ How to write a commercial country song¿ How to get ideas to start a song¿ How to put on a great country live performance¿ How to find the right producer to record your songs¿ Who to make connections with in order to further your career¿ The best ways to connect with fans on social media¿ The best ways to build a fanbase without a record or publishing deal¿ How to get a record deal¿ How to get a publishing deal¿ Who to need on your professional team¿ The best places to book shows to build a country fanbase¿ How to appeal to country music fans¿ How to find the perfect bandAnd so much more! You'll also find breakdowns and explanations of the expert's songs and how she and her cowriters wrote them, with tips on how to incorporate their techniques into your own songs. And in addition, at the end of each chapter, you'll find an expert Q & A, where you'll find the most common questions and answers about the country music industry. If you want to have a career in the country music industry, this book is for you! About the ExpertCaroline Watkins has lived and breathed country music since the day she was born. Born and raised in Nashville, TN, she started writing songs as soon as she could read, and began performing around Nashville at the young age of 13. At 17, she was given the opportunity to play her own songwriters' round at the legendary Bluebird Café, Nashville's top songwriting venue, and has been a regular there ever since.The day before her high school graduation, Watkins signed a worldwide publishing deal with Warner-Chappell Music Publishing, where she is still signed as a songwriter to this day. Since then, she has opened for country stars such as Brett Eldredge, Walker Hayes, and the legendary Willie Nelson.HowExpert publishes quick 'how to' guides on all topics from A to Z by everyday experts.

Do you love country music?Are you a bit of a trivia lover?Then The Great Book of Country is for you!Whatever you're a fan of Johnny Cash, Dolly Parton, Willie Nelson or any of the other legendary artists within Country, this book is packed with interesting and true stories for everyone to enjoy.In The Great Book of Country, you'll learn the answers to the following questions: Where does country music come from originally?What was the main topic in early country music?The term "country" refers to what?The genre bluegrass is named after what?Who was the first woman in country to sell more than a million records?And so much more! The history of country music is not just about facts and dates. It's about understanding and connecting the dots between all those events and people who have shaped up and maintained the genre. The best way to reach this goal is, of course, to have fun along the way. And this is what we've tried to achieve in The Great Book of Country!One thing is guaranteed, though. Having read this book, you will never listen to country music the same way. Grab a copy now and be entertained!

The North Carolina Literary Review has included African American writers of North Carolina since the first issue, but the 2019 issue features North Carolina African American Literature, from award-winning contemporary fiction writer Stephanie Powell Watts back to the enslaved poet George Moses Horton. In between, readers will find interviews with novelist Jason Mott, poet Glenis Redmond, and 2018 North Carolina Hall of Fame inductee Randall Kenan; poetry by Redmond, L. Teresa Church, Kevin Dublin, and Amber Flora Thomas; and essays on C. Eric Lincoln, Charles Chesnutt, and Harriet Jacobs. Among the scholars analyzing these writers is Dr. Trudier Harris, formerly the J. Carlyle Sitterson Distinguished Professor at the University of North Carolina, now University Distinguished Research Professor at the University of Alabama. Throughout this section, content is complemented by African American art of North Carolina, including works by the late John Biggers and Ivey Hayes and contemporary artists like Monique Luck and Antoine Williams.Rebecca Duncan and Lyn Triplett reintroduce journalist-poet Zoe Kincaid Brockman in the Flashbacks section of the issue, which also includes poetry by James Applewhite and the winning poem of the 2018 James Applewhite Poetry Prize competition by Catherine Carter, and an essay on and a recollection of. The North Carolina Miscellany section includes the winning essay in NCLR's 2018 Alex Albright Creative Nonfiction Prize competition by Nancy Werking Poling, the winning essay of the North Carolina Humanities Council's 2018 Linda Flowers Literary Award by Jennifer Brown, and the second place Applewhite Prize poem by Sally Thomas. More finalists from NCLR's 2018 James Applewhite Poetry Prize competition can be found throughout the issue.This issue is supported by the North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.

¿ The music today known as "classic country" originated in the South in the 1920s. Influenced by blues and folk music, instrumentation was typically guitar, fiddle, bass, steel guitar, and later drums, with lyrics and arrangements rooted in tradition. This book covers some of the genre's legendary artists, from its heyday in the 1940s to its decline in the early 1970s. Revivalists keeping the traditions alive in the 21st century are also explored.Drawing on original interviews with artists and their associates, biographical profiles chronicle their lives on the road and in the studio, as well as the stories behind popular songs. Thirty-six performers are profiled, including Ernest Tubb, Ray Price, Loretta Lynn, Bill Anderson, Faron Young, Mickey Gilley, Freddie Hart, Jerry Reed, Charley Pride, David Frizzell, The Cactus Blossoms, The Secret Sisters, and Pokey LaFarge.

During the 1940s, country music was rapidly evolving from traditional songs and string band styles to honky-tonk, western swing, and bluegrass, via radio, records, and film. The Blue Sky Boys, brothers Bill (1917-2008) and Earl (1919-1998) Bolick, resisted the trend, preferring to perform folk and parlor songs, southern hymns, and new compositions that enhanced their trademark intimacy and warmth. They were still in their teens when they became professional musicians to avoid laboring in Depression-era North Carolina cotton mills. Their instantly recognizable style was fully formed by 1936, when even their first records captured soulful harmonies accented with spare guitar and mandolin accompaniments. They inspired imitators, but none could duplicate the Blue Sky Boys' emotional appeal or their distinctive Catawba County accents. Even their last records in the 1970sretained their unique magical sound decades after other country brother duets had come and gone.In this absorbing account, Dick Spottswood combines excerpts from Bill Bolick's numerous spoken interviews and written accounts of his music, life, and career into a single narrative that presents much of the story in Bill's own voice. Spottswood reveals fascinating nuggets about broadcasting, recording, and surviving in the 1930s world of country music. He describes how the growing industry both aided and thwarted the Bolick brothers' career, and how World War II nearly finished it. The book features a complete, extensively annotated list of Blue Sky Boys songs, an updated discography that includes surviving unpublished records, and dozens of vintage photos and sheet music covers.

Folk Music in Overdrive is a reader of music scholar Ivan Tribe’s more significant published articles, revised and updated, from their original publication in magazines such as Bluegrass Unlimited, Precious Memories: Journal of Gospel Music, Old Time Music, and Goldenseal: West Virginia Traditional Music, as well as two never-before published essays. Tribe delivers essays on well-known solo artists, such as Charlie Monroe and Mac Odell; country music duos like husband and wife team Joe and Stacy Isaacs or the brotherly duos of The Bailes, Callahan, and Goins brothers; famous and lesser known sidemen, such as fiddlers Tater Tate and Natchee the Indian, or dobro player Speedy Krise; and musical groups such as the enigmatic Coon Creek Girls. This collection represents an important contribution to music studies and spans bluegrass as a genre from its beginnings to the present.These thirty-nine revised articles had been originally built around interviews with the musical figures and their close associates; but revision yielded new information from a variety of sources, much from Bear Family boxed sets as well as counsel, advice, and knowledge shared by other music scholars. The musicians and bands that Tribe profiles here were both bluegrass pickers and singers themselves, as well as some musicians who are often characterized as traditional country musicians. Some led bands for all or part of their careers while others ranked as noted sidemen or band members. Others composed songs that have become popular, indeed often standard, fare in the bluegrass field.As part of the Charles K. Wolfe Music Series, formed in honor of the late music scholar, Folk Music in Overdrive succinctly advances traditional music scholarship and Wolfe’s own love of early country and bluegrass.

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