Christlich

Schöffer's Cantiones tell a fascinating story of South-North, Catholic-Protestant co-operation. The Cantiones quinque vocum selectissimæ (Strasbourg: Peter Schöffer the Younger, 1539) are a collection of 28 Latin five-voice motets by composers including Gombert, Willaert, and Jacquet of Mantua. This was Schöffer's first book of Latin motets as well as his last ever musical publication; he was granted an imperial privilege to print it by King Ferdinand I. The pieces had been sent to Schöffer by Hermann Matthias Werrecore, the choirmaster of the Duomo of Milan. However, this was at a time when no liturgical Latin choral singing took place in Strasbourg, following one of the harshest reformations - musically-speaking - across Europe. This book comprises a critical study of the anthology in terms of the circumstances of its assemblage and printing, its confessional significance, and the music itself. It considers the nature of the connection between Schöffer and Werrecore, and why a Protestant publisher based in Protestant Germany would try to sell Latin music that was endorsed by a Catholic monarch and emphatically had no chance of being performed in church in its place of publication. In addition, the monograph includes considerations of the motets themselves, brief biographical details of the composers - including the lesser-known ones (e.g. Ferrariensis, Sarton, Billon) - and a full list of all concordant sources. It will be of interest to performers and scholars alike, combining elements of historical research, musical criticism and - via the transcriptions hosted online - performance.

Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.What if simply changing musical styles could resurrect social power and religious vitality? By the early 1990s, Christianity was losing ground nationally, and mainline Protestants were trending even Whiter and older than America's overall demographic trajectory. The churches knew they needed to diversify. Yet, many mainline churches focused their energies on the so-called Worship Wars, intense aesthetic and theological controversies running through much of White Christian America. Historically, churches had only supported one musical style; now, many mainline Protestant congregations were willing to risk internal schism to support both Contemporary worship-centered around guitars, praise bands, and choruses-and Traditional worship with its pipe organs, chancel choirs, and hymns. Surely, they thought, musical diversity would broadcast tolerance and bring in new members-perhaps it would even help them regain their historically central role in American society. Based on years of ethnographic research, (White)Washing Our Sins Away explores how American mainline Protestants used internal musical controversies to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.

If you are looking for a book of Bible songs that teaches everything from the story of creation to the Sabbath, and virtues such as kindness and thankfulness, then this is the book for you! The songs in this collection are based on specific Bible verses or chapters, and through music each one is made both fun and memorable. Titles include:¿ I'd Like to Be Kind¿ Come Unto Me, Children¿ There Is Nothing Too Hard for the Lord¿ A Soft Answer¿ Father, Son, and Holy Spirit¿ Be Strong and Courageous¿ I Have Set You an Example¿ Be Content¿ And many more! ...Marching Up the King's Highway is written for piano or keyboard and includes guitar chords.A Word from the Author: "I wrote the songs in this book because God put a fire in my bones to produce songs that would be fun to sing while teaching sound Bible principles. I hope that those who learn and sing these songs will never lack a vehicle for their joyous praise."

Words we sing in worship have great power to shape our beliefs and actions. This is the second collection of hymns by Jann Aldredge-Clanton with composer Larry E. Schultz. These hymns, like those in the first collection, will contribute to an expansive theology and an ethic of equality and justice in human relationships. Inclusive Hymns for Liberation, Peace, and Justice will empower people to take prophetic action on gender, race, interfaith cooperation, sexual orientation, ecology, and other social justice issues. These hymns include female and male divine images to support the foundational biblical truth that all people are created equally in the divine image (Genesis 1:27). Inclusive Hymns for Liberation, Peace, and Justice will instill belief in the sacredness of all people and all creation. The predominant themes of social justice, peace, liberation, care of creation, partnership in relationships, and unity in diversity come from the prophetic tradition in Scripture. This collection also includes hymns of lament and hymns that celebrate special occasions. Many of the hymns are appropriate for interfaith settings. Most of the hymns are set to widely known tunes, many with fresh arrangements.

Handel's Coronation Anthems were composed from September to October of 1727, only four years in his post as composer of music for the Chapel Royal. The occasion was the coronation of the new king, George II, on October 22, 1727. The performance featured the Chapel Royal vocal soloists, chorus and orchestra under the composer's direction in Westminster Abbey. The anthems soon became popular and were subsequently used for other ceremonial events. Handel's four anthems have been performed at every single English coronation since the 1727 premiere. My Heart is Inditing was the final one performed in 1727 (for the coronation of Queen Charlotte) and is likewise the final one in more recent coronations.Offered here is the beautifully engraved edition prepared by Dr. Clark McAlister for the now-defunct American publisher E.F. Kalmus in 1986. Along with reproducing the engraving in the highest quality, this new vocal score has been enlarged to the larger A4 format, which makes the chorus singer's job much easier when rehearsing and performing. Serenissima Music is proud to br the exclusive publisher for Clark McAlister's outstanding catalogue of superb orchestrations and authoritative editions.

Inclusive Hymns for Liberating Christians will expand the spiritual experience of any group, large or small. These hymns inspire justice and peacemaking. They empower women, men, and children of all races to become all they are created to be in the divine image. These hymns will lift the heart, invigorate the mind, and enliven the spirit. The wide variety of biblical divine names and images in this hymnbook will contribute to belief in the sacredness of all people and all creation. Peace and justice flow from this belief. These hymns draw from the prophetic, liberating tradition in Scripture. Predominant themes of the hymns are peace, justice, resurrection, abundant life, liberation, new creation, and partnership in relationships. This collection includes hymns that celebrate the seasons of the church year and other special occasions.

Music has great power to spread the good news of peace, justice, liberation, and abundant life for all people. This new song collection proclaims this good news with lyrics inclusive in gender and race and with themes of social justice and peacemaking. The title of this collection, Inclusive Songs from the Heart of Gospel, comes from our choice of gospel music tunes for most of our texts. This title is likewise appropriate for our songs set to other familiar hymn tunes because we draw from the meaning of the Greek New Testament word for "gospel," euangelion, also translated as "good news." We reclaim these gospel tunes and other tunes we love with inclusive lyrics to sound the good news that transforms our world. The songs in this collection bring good news for all races and all genders, celebrating the sacredness of all people and all creation. They name Deity as female, male, nonbinary, and more to support the foundational biblical truth that all people are created equally in the divine image. This collection includes all new songs for use in worship services, small groups, retreats, music camps, activist gatherings, and individual meditation. Many of the songs are appropriate for multifaith and multigenerational settings.