Komödie

In a decaying farmhouse in rural Illinois, a family filled with suppressed violence and an unease born of deep-seated unhappiness confront their ghosts in this haunting examination of the disintegration of the American Dream. At the center of the family is a ranting alcoholic grandfather, a sanctimonious grandmother who goes on drinking bouts with the local minister, and their sons, Tilden, an All-American footballer now a hulking idiot, and Bradley, who has lost one leg to a chain saw. Into their midst comes Vince, a grandson none of them recognizes or remembers, and his girlfriend, Shelly, who cannot comprehend the madness to which she is suddenly introduced. The family harbors a dark secret that will leave audiences speechless after the curtain falls on this poetic drama.

The first Ridiculous Theatrical Company production by outside playwrights brims with irreverent wit. Horror show host Marius Mintsingue is killed on the air much to the dismay of would be detectives Buddy and Bob (pubescent boys played by women) who are his biggest fans. Mintsingue's cross dressing lover finds herself the head of Mintsingue Manor a Gothic mansion in postwar suburbia. While the murderer stalks she struggles to support the household without implicating herself by collecting on the will or insurance to protect Mintsingue's live in protege (a half man/half woman sideshow veteran) and to keep at bay the forces of authority. Bob and Buddy's sleuthing unintentionally brings this mystery to its shattering conclusion.

Hängen wir nicht alle an Fäden?Sind wir nicht alle Marionetten? Irgendwie?Können wir uns eigentlich wirklich frei bewegen?Wer schreibt uns vor, was wir denken und reden?Und wer führt hier eigentlich die Regie?Das Buch "Der Aufstand der Puppen - Marionettentheater am Domgymnasium Verden" ist eine Sammlung von Marionettenstücken aus über 30 Jahren Wirken von Eilert Obernolte am Domgymnasium Verden. In der Marionetten-Arbeitsgemeinschaft hat Eilert Obernolte zahlreiche Schülergenerationen mit seiner Begeisterung für das Puppenspiel angesteckt. Die vorliegende Sammlung verewigt viele der in dieser Zeit entstandenen Marionetten und Stücke. Sie ist eine Erinnerung an eine wunderbare Jugend und Schulzeit am Verdener Domgymnasium. Zugleich erinnert sie auch an den Lehrer, Mentor und Freund Eilert Obernolte.

The title is the question father asks himself when he learns his son has hand cuffed himself to the dean to protest censorship and as a consequence been expelled. And when the son appears with a scroungy group of mods beards and a girl from out of nowhere the impact to a parent can be overwhelming. Father reasons that if you can't beat them join them; and accordingly gets his own beads guitar and such and goes the kids one better. He burns his checkbook in front of the bank and threatens to ignite himself on the steps of Lincoln Center. It's enough to make even the younger generation realize a thing or two.

Comme il vous plaira (As You Like It) est une comédie de William Shakespeare écrite en 1599, initialement publiée dans le Premier Folio, en 1623. Les circonstances de la première représentation sont incertaines, l'une des possibilités envisagées serait à Wilton House, en 1603. La pièce est notamment connue pour le monologue de Jaques, commençant par All the world's a stage.PrésentationL'héroïne Rosalinde se réfugie dans la forêt des Ardennes, accompagnée de sa cousine Célia, fuyant la cour de son oncle, dans la quête de trouver la sécurité et, éventuellement, l'amour. Elles sont amenées à rencontrer différents personnages, notamment Jacques, voyageur mélancolique présent dans plusieurs pièces de Shakespeare, et dont le discours "All the world's a stage" est très connu.Réception de la pièceLa réception critique de la pièce est diverse : certains critiques trouvent que cette pièce est mineure en comparaison d'autres ¿uvres de Shakespeare, mais d'autres lui portent une grande estime. Elle est l'une des pièces favorites du public et est souvent adaptée à la radio, au cinéma et en comédie musicale. Des actrices célèbres ont interprété le rôle de Rosalinde, sur scène et à l'écran, notamment Vanessa Redgrave, Juliet Stevenson, Rebecca Hall, Helen Mirren, et Patti LuPone, tandis qu'Alan Rickman, Stephen Spinella, Kevin Kline et Stephen Dillane tenaient le rôle de Jacques.

The seventh collection of published plays by the Theater Masters' National MFA ten-minute play festival, Take Ten.This collection, Theater Masters' Take Ten Vol. 7, is comprised of the following plays:DOORMAT by Justine GelfmanThe boss is hiring a new assistant. Sarah is out. Jenny is in. Oh, and Sarah is a doormat.GOLD GONE RIGHT by Rudi GolbenFelo and Cooti share a blissful existence, making pottery and poetry in their beautiful home - until Karen Gold invades their world, carelessly claiming privilege and wreaking havoc.THE ONLY THING YOU CAME TO HEAR by Thaddeus McCantsOnce called the Muhammad Ali of Baseball, Major League Pitcher Dock Ellis relives the most memorable moment of his career: the 1970 no-hitter he threw while on LSD.THE IDIOTS by Preshant NashiAt a classy wedding reception, Jake is in the middle of the worst moment of his life: He has mistakenly texted his ex, Kevin, who, along with his new boyfriend Kyle, just happens to be sitting at the same table.(UN)SCRIPTED by Dave OsmundsenMiranda, an autistic girl dedicated to social improvement, endures a scripted coffee shop module to achieve "typicality."BLOOMS by a.k. payneKim has not believed in love in a long time and the rhythm of work threatens to keep her from her dreams. Leticia has got something to say. On a spring day, both have ten minutes before their shift at the grocery store.SAHI VAQT PE, OR THE ONE WITH THE BIOLOGICAL CLOCK by Ankita RaturiIn a bodega in New York City, Ina can't stop obsessing over the ticking of her biological clock. And hanging up on her mother. And ice cream. And that one episode of Friends.EVERY MAN'S MEMORIAL MARKED by Maria D. SmithJoe Dollard, an elderly Black man with sharecropper roots, sits on a folding chair with his friend Sylvester, coping with a recent loss by disassociating from reality and fighting back at every turn.

A "domestic phantasmagoria with song and dance," John Crutchfield's My Crazy My Love, set in a small, present-day Southern Appalachian town, in a sprawling house in condemnable disrepair, tells the raucous comic story of one family's failure to know itself. Only the impending death of the Finckelsteins' patriarch can offer some hope of eleventh-hour self-recognition and redemption. Or not.

A dark stage comedy about the contemporary American family, business, sexuality, race relations, psychiatry, and organized crime, Steven Samuels' "American Arcade; or, How To Shoot Yourself in the Face" concerns the Hamlet-like Harry Hunter, a young manufacturer of old-fashioned shooting gallery games struggling to sustain his beloved past, his family, and what remains of his sanity while the confounding present explodes in his face.In the one crazy day on which this play takes place, Harry tries to maintain the failing American Arcade Company bequeathed him by his late father, who may or may not have been a suicide. Harry is literally haunted by his father, and the other people who plague his life--including his spendthrift mother, cold wife, distant daughter, lackluster assistant, and Freudian analyst, and an old family friend: a Mafia don who shows up unexpectedly--appear as often in Harry's fantasies as in what passes for his real life. Their concerns--mostly money and sex--combine with Harry's fears of war, environmental destruction, and the depersonalization of human interactions brought on by our overindulgence in the brave new world of screens, to drive him at least half mad as he strives to solve his problems and the mystery of his father's death.A strange cross, tonally, between family dramas such as "Death of a Salesman," Charles Ludlam's antic farces, and the black humor of Joe Orton, "American Arcade" constitutes its own genre, which Samuels calls "An Outrage." A huge part of the fun comes from a set dominated by a wall from which Harry's fantasy figures pop out, á la Rowan and Martin's "Laugh-In". Like a Coney Island of the mind, "American Arcade" is one wild ride.

Am Ende des Zweiten Weltkriegs wird Familie Baran bei der Flucht aus Ostpreußen auseinandergerissen. Martin Baran und Zwillingssohn Wilhelm sowie Zögling Ludwig landen in West-Berlin, während es Marielle, Martins Ehefrau, und Wilm, den anderen Zwillingssohn, nebst Zögling Luggi nach Ost-Berlin verschlägt. Die beiden Familienhälften haben sich aus den Augen verloren. Doch Martin Baran gibt nicht auf. Er macht sich Anfang der Siebzigerjahre wie auch Sohn Wilhelm und Zögling Ludwig nach Ost-Berlin auf, um nach der anderen Hälfte der Familie zu suchen. Die Spur führt nach Köpenick und Prenzlauer Berg. Allerdings geht jede Menge schief. Martin verletzt die DDR-Grenzbestimmungen und bekommt es mit der Volkspolizei zu tun. Wilhelm und Ludwig stellen sich zwar schlauer an, dennoch erwarten sie heftige Turbulenzen, als Wilm und Luggi aufkreuzen. Vorhang auf für eine Verwechslungskomödie, die, frei nach Shakespeares Theaterstück "Komödie der Irrungen", bei den Protagonisten für allerlei Aufregungen sorgt und sie vor dramatische Situationen stellt. Wird es den Barans gelingen, sich wieder in die Arme zu schließen? Auch wenn die Orte der Handlung und die Epochen andere sind, hält sich "Hoffnung auf ein Wiedersehen" an die Shakespeare'sche Vorlage und verspricht ein ebensolches anspruchsvolles Lesevergnügen.

Step into the vibrant world of ancient Roman theater with ""The Captivi and the Mostellaria,"" two masterful plays by the legendary playwright Plautus. This captivating collection, now republished by Alpha Editions after decades of being out of print, invites you to experience the wit and charm of Latin comedy like never before. In ""The Captivi,"" the themes of identity and deception unfold as a father searches for his son, only to discover the complexities of human relationships and the power of loyalty. Meanwhile, ""The Mostellaria"" delivers a delightful comedic drama filled with mistaken identities and clever schemes, showcasing Plautus's unparalleled ability to blend humor with poignant social commentary. Together, these plays offer a rich tapestry of ancient Roman life, making them essential reading for both casual enthusiasts and dedicated collectors of classic literature.This edition is not just a reprint; it's a cultural treasure meticulously restored for today's and future generations. With its engaging narrative and timeless themes, this collection serves as an invaluable resource for anyone interested in Latin drama analysis, theatrical scripts, and the performing arts. Whether you're a student seeking educational resources or a lover of historical comedies, this book will enrich your understanding of Plautus plays and the enduring legacy of ancient Roman theater.Don't miss your chance to own this unique collector's item that celebrates the brilliance of Plautus. Rediscover the joy of comedic drama and the art of storytelling that has influenced countless literary adaptations throughout the ages. Grab your copy of ""The Captivi and the Mostellaria"" today and immerse yourself in the laughter and lessons of a bygone era!

A dark stage comedy about the contemporary American family, business, sexuality, race relations, psychiatry, and organized crime, Steven Samuels' "American Arcade; or, How To Shoot Yourself in the Face" concerns the Hamlet-like Harry Hunter, a young manufacturer of old-fashioned shooting gallery games struggling to sustain his beloved past, his family, and what remains of his sanity while the confounding present explodes in his face.In the one crazy day on which this play takes place, Harry tries to maintain the failing American Arcade Company bequeathed him by his late father, who may or may not have been a suicide. Harry is literally haunted by his father, and the other people who plague his life--including his spendthrift mother, cold wife, distant daughter, lackluster assistant, and Freudian analyst, and an old family friend: a Mafia don who shows up unexpectedly--appear as often in Harry's fantasies as in what passes for his real life. Their concerns--mostly money and sex--combine with Harry's fears of war, environmental destruction, and the depersonalization of human interactions brought on by our overindulgence in the brave new world of screens, to drive him at least half mad as he strives to solve his problems and the mystery of his father's death.A strange cross, tonally, between family dramas such as "Death of a Salesman," Charles Ludlam's antic farces, and the black humor of Joe Orton, "American Arcade" constitutes its own genre, which Samuels calls "An Outrage." A huge part of the fun comes from a set dominated by a wall from which Harry's fantasy figures pop out, á la Rowan and Martin's "Laugh-In". Like a Coney Island of the mind, "American Arcade" is one wild ride.

David a successful NY attorney in his 30s returns to Indianapolis for the funeral of his adopted brother whom he hasn't seen for years. David tries to make amends by helping his brother s troubled girlfriend LaShonda but is ill-prepared for the commitment that requires. His good intentions soon threaten his marriage and career and force him to examine a past he has long ignored. The show premiered at the Michael Weller Theatre in NYC.<BR>ÿÞ

Por toda vida buscamos amor e paz. Por toda vida falhamos e nos decepcionamos. A Vida é mesmo cheia de reviravoltas. O que não podemos é desistir de nossos sonhos. Precisamos manter acesa a esperança e tentar sempre mais uma vez.

A "domestic phantasmagoria with song and dance," John Crutchfield's My Crazy My Love, set in a small, present-day Southern Appalachian town, in a sprawling house in condemnable disrepair, tells the raucous comic story of one family's failure to know itself. Only the impending death of the Finckelsteins' patriarch can offer some hope of eleventh-hour self-recognition and redemption. Or not.

A TEMPORARY FUNERAL FOR DARREN MCDUFFY by Brianna BarettAn eclectic group of mourners gathers to pay tribute to a troubled young man in this dark absurdist comedy. THE GAME by Lindsay CarpenterIn an ambiguously medieval setting, two people, "Her" and "Him," move through the phases of their lives by playing games and toying with love.HOW TO SAVE THE POLAR BEAR by A.R. CorwinAn ambitious journalist and camera operator get more than they bargained for when they encounter a jaded, media-savvy polar bear.VARIABLE RATES OF KINDNESS by Cayenne DouglassWhen a successful bank manager recognizes a downtrodden credit applicant, both women are forced to reckon with their painful shared past.BREAK THROUGH by Erika HakmillerAs a fraternity prank, college student Cameron breaks in to the apartment of a young straight couple, somehow opening up a candid and amusing exploration of masculinity.THE COMPANION by Matthew LibbyA chance encounter between an embittered truck driver and a synthetic near-human leads to a poignant contemplation of life and death.LADY BUG HEAVEN by Tony MantiaWhen six-year-old Emma innocently asks, "What's going to happen to me when I die?," her parents are thrown into an existential crisis.

A humorous look at life in an exclusive girls' prep school, where the students get into all sorts of misadventures, but still see the value in friendship. It is a graphic novel, the first of six volumes, and is suitable for readers aged 15 and above.

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