19. Jahrhundert

Der heute fast vergessene Kieler Literaturprofessor Eugen Wolff gründete nicht nur das Königliche Literaturwissenschaftliche Institut, sondern legte ebenfalls den Grundstein des Kieler Theatermuseums, verwendete als erster Deutscher den Begriff der literarischen Moderne, reformierte die Burschenschaften und ging auch sonst keinem Konflikt aus dem Weg. Die Beiträge des vorliegenden Bandes zeigen: Mit Wolff lässt sich das Kaiserreich als Zeit des Aufbruchs begreifen, in der vieles möglich schien. Wolffs Werk changiert zwischen den Polen Moderne und Heimatkunst, er will Altes bewahren und Neues erschaffen, die Welt im Theater neu erfinden und die Wirklichkeit nach seinen Vorstellungen gestalten.

This innovative study compares nineteenth-century Arabic translations of the Bible to determine how it emerged as a foundational text of Arab modernity. Bible translation gained global traction through the work of Anglophone Christian missionaries, who made an attempt at synchronising translated Bibles in world languages by laying down strict guidelines and supervising the processes of translation and dissemination. By engaging with the intellectual beginnings of two local translators, Butrus al-Bustani (1819 - 1883) and Ahmad Faris al-Shidyaq (1804 -1887), as well as their subsequent contributions to Arabic language and literature, this book questions to what extent they complied with the missionaries' strategy in practice. Based on documents from the archives of Bible societies that tell the story of two key nahda versions of the text, we come to understand how colonial pressure was secondary to the process of incorporating the Bible into the nahda project of rethinking Arabic.

'One ought to choose something very deliberately, and be faithful to that.'Isabel Archer is a young, intelligent, and spirited American girl, determined to relish her first experience of Europe. She rejects two eligible suitors in her fervent commitment to liberty and independence, declaring that she will never marry. Thanks to the generosity of her devoted cousin Ralph, she is free to make her own choice about her destiny. Yet in the intoxicating worlds of Paris, Florence, and Rome, her fond illusions of self-reliance are twisted by the machinations of her friends and apparent allies. What had seemed to be a vista of infinite promise steadily closes around her and becomes instead a 'house of suffocation'.Considered by many as one of the finest novels in the English language, this is Henry James's most poised achievement, written at the height of his fame in 1881. It is at once a dramatic Victorian tale of betrayal and a wholly modern psychological study of a woman caught in a web of relations she only comes to understand too late. This edition reproduces the revised New York Edition, with James's own Preface. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Als einer der bedeutendsten Lyriker der deutschsprachigen Literatur hat Eduard Mörike seinen festen Platz in der Literaturgeschichte. Zu seiner erzählenden Prosa hat die Forschung bis heute - von einzelnen Ausnahmen abgesehen - keinen rechten Zugang gewinnen können. Das mag damit zu tun haben, dass viele dieser Texte oberflächlich betrachtet harmlos, naiv oder volkstümlich erscheinen; erst bei genauerer Betrachtung geben sie sich als hochartifizielle, beziehungsreiche Kunstschöpfungen zu erkennen.Erstmals werden hier in einer Zusammenschau der Roman, die Novellen und Erzählungen, die Balladen, das Versepos ,Idylle vom Bodensee', die Briefe und die bislang marginalisierten sogenannten ,Vermischten Schriften' mit den autobiographischen Aufzeichnungen und Berichten über Geistererscheinungen diskutiert - mit erstaunlichen und unerwarteten Ergebnissen. Der vorliegende Band wartet mit neuen Impulsen zur Revision des Mörike-Bildes auf.

Throughout his life, Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. Kafka's personal engagement with the medium - as a keen viewer and collector of photographs as well as an amateur photographer - is reflected in his writings, which explore photography from a variety of different perspectives. By far the most frequently and extensively discussed visual medium in Kafka's texts, photography is paradigmatic of his relationship to visuality more generally. This study not only explores photography's recurrence as a theme within his texts but it is also the first to take systematic account of Kafka's use of photographs as literary source material.Kafka and Photography presents one of the most important modern writers from an entirely new perspective; it sheds new light on familiar works and uncovers unexplored aspects of Kafka's engagement with his time and context. Providing a chronological account of key prose works, as well as the personal writings, this study is accessible to students and lay readers. It will be of interest not only to literary scholars but also to those working in photography, media, and cultural studies. Its detailed textual analyses are set against a richly documented historical context which illustrates Kafka's interest in contemporary culture through a range of visual material taken from public as well as private sources - some of which has only recently become available. As this book demonstrates, photography had a profound impact on Kafka's literary imagination and as such helps to explain the mesmerizing intensity of enigmatic visual detail which is a hallmark of his narratives.

Brings together and makes available in English for the first time some of Ángel Rama's most important essays.Ángel Rama was among the most prominent Latin American literary and cultural critics of the twentieth century. This volume brings together-and makes available in English for the first time-some of his most influential writings from the 1960s up until his death in 1983. Meticulously curated and translated by José Eduardo González and Timothy R. Robbins, Spanish American Literature in the Age of Machines and Other Essays will give readers a new, deeper appreciation of how Rama's views on Latin American literary history reflect the dynamic between the region and the rest of the world. His rich meditations on the relation between narrative technique, social class, and group behavior-from the point of view of the periphery of capitalism-make this volume an important contribution to the study of world literature.

This book is a history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history.The poetry of the transatlantic abolitionist movement represented a powerful alliance across racial and religious boundaries; today it challenges the demarcation in literary studies between cultural and aesthetic approaches. Now is a particularly apt moment for its study. This book is a history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history. Poetry that speaks to a broad cross-section of society with moral authority, intellectual ambition, and artistic complexity mattered in the fraught years of the mid nineteenth century; Brian Yothers argues that it can and must matter today.Yothers examines antislavery poetry in light of recent work by historians, scholars in literary, cultural, and rhetorical studies, African-Americanists, scholars of race and gender studies, and theorists of poetics. That interdisciplinary sweep is mirrored by the range of writers he considers: from the canonical - Whitman, Barrett Browning, Beecher Stowe, DuBois, Melville - to those whose influence has faded - Longfellow, Lydia Huntley Sigourney, John Pierpont, John Greenleaf Whittier, James Russell Lowell - to African American writers whose work has been recovered in recent decades - James M. Whitfield, William Wells Brown, George Moses Horton, Frances E. W. Harper.

This book examines the charged but mostly overlooked presence of the sensational Jew in antebellum literature. This stereotyped character appears primarily in the pulpy sensation fiction of popular writers like George Lippard, Ned Buntline, Emerson Bennett, and others. But this figure also plays an important role in the sometimes sensational work of canonical writers such as Nathaniel Hawthorne, Edgar Allan Poe, and Walt Whitman. Whatever the medium, this character, always overdetermined, does consistent cultural work. This book contends that, as the figure who embodies money and capitalism in the antebellum imagination, the sensational Jew is the character who most fully represents a felt anxiety about the increasingly unstable nature of a range of social categories in the antebellum US, and the sense of loss and self-hatred so often lurking in the background of modern Gentile identity. Each chapter examines a different form of sensationalism (urban gothic; sentimental city mysteries; anti-Tom plantation narratives; etc.), and a different set of anxieties (threats to class status; collapsing regional identity; the uncertain status of Whiteness and other racial categories; etc.). Throughout, the sensational Jew acts both as a figure of proteophobia (fear of disorder and ambivalence), and as the figure who embodies in uncanny form a more fulfilling and socially coherent form of identity that predates the modern liberal selfhood of the post-Enlightenment world. The sensational Jew is therefore a revealing figure in antebellum culture, as well as an important antecedent to contemporary antisemitism in the US.

Søren Kierkegaard's work is teeming with images of earthquakes, floods, storms, volcanic eruptions, wildfires, burned down cities, and apocalyptic events that 'let the heavens fall and the stars change their places in the overturning of everything'. These disaster images are not just rhetorical packaging of the philosophical and theological content of his works. Rather, disasters play an important but largely understudied role in Kierkegaard's analysis of human existence. Kierkegaard and Climate Catastrophe focuses on prophetic noir in Kierkegaard's work: the sombre mood that is evoked when the shadow of future disaster falls upon the present. Isak Winkel Holm's core contention is that the prophetic noir in Kierkegaard, modelled after the prophetic books of the Hebrew Bible, contributes to making his works urgently relevant today. From the vantage point of the contemporary world threatened by rapidly evolving climate catastrophes, Kierkegaard's analysis of human existence emerges in a more sombre light, dimmed by the future disaster: to exist, in the emphatic sense Kierkegaard gave to that word, is to live a meaningful human life even if things are darkened by the coming calamity. Thus, a thorough analysis of the prophetic noir in Kierkegaard offers an existential perspective on living in a world threatened by environmental devastation.

Mary Shelley in Europe studies the European background of Mary Shelley's works and their reception. This two-fold approach is inspired by Mary Shelley dans son ¿uvre, Jean de Palacio's seminal work that has remained untranslated in English. The essays in the volume bring new insights on editing and establishing the canon of Mary Shelley's works; they investigate her interest in European literature, history and landscape; and they highlight her unique partnership with the poet Percy Bysshe Shelley. In considering Mary Shelley's European and world-wide reception the authors adopt an interdisciplinary approach and explore both the 'Frankenstein myth' and the 'Mary Shelley myth' in drama, contemporary media and visual culture. At a time when literary studies adopt a transnational perspective and focus on hybrid identities, these essays show that Mary Shelley's work appears surprisingly contemporary.

The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the late eighteenth and early nineteenth centuries. Volume 30 seeks to prompt discussion of new directions in eighteenth-century scholarship with special sections on Enlightenment legacies of race and on the robust scholarship that rethinks the eighteenth-century body beyond the human organism. Beyond the two special sections there are articles on Wieland's Alceste, several essays on sex and gender (e.g., on Goethe's Werther; on gender, genre, and authorship in La Roche and Goethe; and on continued gender bias in scholarship on the German eighteenth century), a co-authored article on Goethe's Roman elegies, and an article on performativity and gestures in Kleist. The customary book review section rounds out the volume.

A survey of the rituals of the year in Victorian England, showing the influence of the Middle Ages.What does a maypole represent? Why eat hot cross buns? Did Dick Whittington have a cat? All these questions are related to a larger one that nineteenth-century Britons asked themselves: which was more fun: living in their own time, or living in the Middle Ages? While Britain was becoming the most industrially-advanced nation in the world, many vaunted the superiority of the present to the past-yet others felt that if shadows of past ways of life haunted the present, they were friendly ghosts. This book explores such ghosts and how real or imagined remnants of medieval celebration in a variety of forms created a cultural idea of the Middle Ages. As Britons found, or thought that they found, traces of the medieval in traditions tied to times of the year, medievalism became not only the justification but also the inspiration for community festivity, from Christmas and Boxing Day through Maytime rituals to Hallowe'en, as show in the writings of amongst many others Keats, Browning and Dickens.

HarperCollins is proud to present its new range of best-loved, essential classics."Help one another", was a favourite Plumfield motto, and Nat learned how much sweetness is added to life by trying to live up to it.Spirited Jo March, now Mrs Bhaer, has settled into living and teaching at Plumfield boarding school, also home to a lively band of orphan boys. Jo's many pupils include Nat, a shy but talented musician, Dan, an ill-mannered troublemaker and Tommy Bangs, the school's mischievous class clown. Despite the troubles and scrapes that come with adolescent life, the lessons of kindness and gratitude taught at Plumfield prove to have a profound impact on each child.Published in 1871, Little Men was received with delight by the many who cherished the coming-of-age tale Little Women, and proved a worthy sequel. Wisdom, courage and love is at the heart of Louisa May Alcott's writing, which continues to inspire and give solace to readers around the world today.

Als Orte der literarischen Moderne gelten meist nur die Großstädte Paris, London, Berlin oder Wien. Das vorliegende Buch zeigt, dass auch abseits der Metropolen avancierte und sozial engagierte Literatur möglich war. Dazu wird die Mährische Moderne eingehender vorgestellt, eine Autorengruppe zu Beginn des 20. Jhs., die zwar innerhalb der Habsburger Monarchie agierte, aber aufgrund ihrer geographischen Lage auch die poetischen Innovationen des deutschen Kulturraums integrierte. Daraus entstand eine eigenständige Literatur zwischen Wiener Moderne und konsequentem Naturalismus. Neben ästhetischen und narrativen Aspekten kommen dabei zwei Themenschwerpunkte zur Sprache, die den transitorischen Prozess der Moderne diskursiv mitbestimmten: Die Krise der Familie und der nationale Konflikt.

Nel 1997, con il suo libro più intimamente autobiografico, Maria Corti racconta le vicende del «Fondo manoscritti di autori moderni e contemporanei», da lei fatto nascere tra la fine degli anni Sessanta e i primi Settanta. Nella sua doppia veste di narratrice e di studiosa, da un lato dispensa testimonianze e aneddoti su famosi scrittori, vedove votate alla gloria letteraria dei loro mariti, banchieri illuminati e tanti personaggi maggiori e minori, dall'altro descrive le carte così miracolosamente raccolte nel Fondo, ne racconta la storia, mostra il loro fascino filologico. Ma soprattutto evoca le ombre degli autori che da quelle carte si manifestano e fanno aleggiare il fantasma della letteratura. Prefazione di Mauro Bersani.

Laws of Transgression offers multiple perspectives on the story of Daniel Paul Schreber (1842-1911), a chamber president of the German Supreme Court who was institutionalized after claiming God had communicated with him, desiring to make him into a woman. Schreber was not only a successful judge, but was also to become the author of one of the most commented upon texts in psychiatric literature, Memoirs of My Nervous Illness. Published in 1903, this remarkable work documented Schreber’s visions, desires, jurisprudence, and theology. Far from ending the judge’s legal investments, it manifested an intensification of engagement with the law in the attempt to prove that becoming a woman did not deprive the judge of legal competence. Schreber’s experience of bodily change and his account of interior life has been the subject of more than a century of psychoanalytic and medical scrutiny. With the contemporary trans turn, interest in the judge’s desire to become a woman has intensified. In Laws of Transgression, Peter Goodrich, Katrin Trüstedt, and contributing authors set out to unfold Schreber’s complex relation to the law. The collection revisits and rediscovers the Memoirs, not only in its juridical and political implications, but as a transgressional text that has challenged law and heteronormativity.