Kurzgeschichten

El nuevo libro de Rosa Montero, Premio Nacional de las Letras EspañolasLa realidad convertida en la mejor literatura'Por la creación de un universo personal, cuya temática refleja sus compromisos vitales y existenciales, que ha sido calificado como la ética de la esperanza'.Jurado del Premio Nacional de las Letras Españolas'Una cree entrever por un momento, como bajo el latigazo de un relámpago, el trasfondo de lo real'.La matanza de los abogados de Atocha, el intento de golpe de Estado, las vísperas del éxodo en Riaño, la gira del papa por España, la de Miguel Ríos con su exitosísimo Rock and Ríos, el juicio por la desaparición del Nani, los estragos de la droga, los del terrorismo... En la década de los ochenta, España vivió una época apasionante: la Transición. Como muestra este libro, los años del mayor intento colectivo de democratización y modernización del país fueron turbulentos, caleidoscópicos, llenos de violencia y de esperanza al mismo tiempo.Cuentos verdaderos reúne las crónicas y los reportajes que Rosa Montero, una de las voces más importantes del periodismo y la literatura de las últimas décadas, publicó en El País durante el periodo 1978-1988. Escritos la mayoría de ellos con las técnicas de la mejor ficción y alejada ya en el tiempo la urgencia por contar la actualidad, se leen hoy como si fueran relatos. Es la literatura abriéndose paso impetuosamente.La autora afirma en el prólogo: 'Estas crónicas nos trasladan a territorios remotos. Hay otros mundos, pero están en éste, como decía Éluard. En ocasiones resultan tan insólitas, tan alucinantes, que me siento un poco como esas presentadoras de las antiguas ferias que se desgañitaban anunciando los gabinetes de curiosidades: el Hombre Serpiente, la Mujer Barbuda... Aquí estoy, en efecto, plantada ante la puerta. Y simplemente digo: pasen y vean'.La crítica ha dicho:'Uno de los máximos exponentes de la creación literaria y una de las más destacadas mujeres creadoras de la cultura hispana'.Jurado del Premio Ciudad de Alcalá de las Artes y las Letras'Su prosa tensa y directa rehúye el desplante y la pretensión'.Mario Vargas Llosa'No hay mejor escritora en castellano que Rosa Montero'.Juan Gomez-Jurado'Ama el riesgo [...] y lo arriesga todo para que volvamos a creer en las relaciones entre realidad y lenguaje, en el poder de las palabras'.Enrique Vila-Matas'Maneja el lenguaje como nadie'.Javier Lahoz, El Periódico'Escribe conel punto casi exacto de acercamiento, con sinceridad y ardor pero sin concesiones fáciles'.Miguel Dalmau, La Vanguardia'Quedarse hasta las tantas de la mañana es algo que ocurre con los libros de Rosa Montero'.Pilar Sanabria, Más de Uno (Onda Cero)

Originally published in 1989, this book focuses on the handling of the relationship between the onstage world and the offstage world, between the world that Shakespeare shows us and the one he tells us about. It is developed in two parts. Initially examined is the way reports are used in Shakespeare to relate the offstage and onstage worlds, building from simple examples within individual scenes in various plays to related sequences of reports which can be evaluated as part of broader strategies effecting the structure of a whole play. In the second part the author examines the ways in which several, or all, of these strategies work in individual plays, and what combined effect the prominent employment of them has in shaping the effect of the plays. In all cases the author is concerned to indicate why Shakespeare chose to handle matters as he does rather than in other ways available in the sources or in the speculative alternative methods which can be imaginatively constructed.

Originally published in 1978, beginning with what has been written previously, the author illustrates how Shakespeare used names - not only those he invented in the later comedies, but those names bequeathed to him by history, myth, classical literature, or the Bible.

This new edition of The House of Memory: Stories by Jewish Women Writers of Latin America revisits the meaning of heritage and home, exploring the experience of losing the familiar to embrace the unknown. While often painful in its examination of antisemitism, this collection of essays embraces the belief that hope and love can triumph over adversity and racism. This collection contains over thirty stories from internationally acclaimed writers, such as Clarice Lispector and Margo Glantz, as well as new voices, with some appearing for the first time in English translations. Although many of the stories are rooted in the Jewish experience and tradition, there is a universal resonance that transcends place, race, gender and religion to speak of matters that are still ever-present to all of us.

Les révoltés de la Bounty est une nouvelle publiée par Jules Verne en 1879 avec Les Cinq cents Millions de la Bégum dans la collection des Voyages extraordinaires. Mais elle a été écrite à partir du manuscrit d'un géographe de la Bibliothèque nationale de France, Gabriel Marcel, avec lequel Jules Verne avait publié un ouvrage de vulgarisation, Les Grands navigateurs du XVIIIe siècle. Jules Verne avait acquis pour trois cents francs les droits de ce texte qui raconte, d'après les annales britanniques maritimes la mutinerie qui s'éleva en 1789 sur la Bounty, navire de la marine royale britannique alors qu'il faisait voile vers Tahiti.

This new edition of The House of Memory: Stories by Jewish Women Writers of Latin America revisits the meaning of heritage and home, exploring the experience of losing the familiar to embrace the unknown. While often painful in its examination of antisemitism, this collection of essays embraces the belief that hope and love can triumph over adversity and racism. This collection contains over thirty stories from internationally acclaimed writers, such as Clarice Lispector and Margo Glantz, as well as new voices, with some appearing for the first time in English translations. Although many of the stories are rooted in the Jewish experience and tradition, there is a universal resonance that transcends place, race, gender and religion to speak of matters that are still ever-present to all of us.

Delving deep into China's great transformation, this moving collection of stories probes the hearts of everyday individuals caught up in the country's rapid economic development. Told with tenderness and emotional acuity, these stories introduce us to a heartbroken taxi driver, a love-struck middle-aged mother, a courageous cutting-edge designer, a drifting waiter, a Tai Chi instructor down on her luck, and a young American in search of himself. They are all denizens of China's most vibrant city - Shanghai, united by the universal longing to feel connected, to be known, and to love and be loved.

An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this countryWritten in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. “We equate suffering to perseverance and misinterpret the weight of shame,” she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South—a complex interplay of race, class, and gender that proves to be ever-shifting ground.Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves—as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear—to what it means to grow up in her great uncle’s Southern Baptist church—with rules including “No uncrossed ankles” and “No questions.” Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement—a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice. 

A small spark, a vast canyon, a human heart pressed to the pace of the wild. The Enchanted Canyon invites you to step into a world where exploration and discovery collide with quiet longing and hard-won courage.This is classic adventure fiction braided with romance adventure fiction, set in a striking American canyon and told through the lens of an isolated wilderness narrative. Honour the journey, from sunlit ledges to shadowed passes, as characters press toward meaning in a public domain novel that speaks across generations. The prose carries the cadence of early twentieth century america, offering both a sweeping landscape and intimate emotional stakes that will satisfy readers of classic fiction and historical fiction enthusiasts alike.A note on literary and historical significance frames the voyage: the book's enduring appeal rests in its early visions of exploration, its luminous descriptions, and its place within the canon of complete adventurous collection that shaped American storytelling. The Enchanted Canyon rewards patient readers with immersion, texture, and a sense of place that lingers long after the final page.Selling points matter as much as the plot: Out of print for decades and now republished by Alpha Editions. Restored for today's and future generations. More than a reprint - a collector's item and a cultural treasure. This is not merely reading; it is an invitation to revisit a landmark in the canon of illustration, adventure, and wonder.

As a comedian and conservative thinker, whip-smart funny Tom Shillue grounds his ideas about our current culture and political climate in stories from his childhood -- a portrait of growing up in 1970s America. Growing up as one of five kids in a devout Irish Catholic family in a small town outside of Boston, Tom sincerely believes that the rough-and-tumble, rules-dominated world in which he came of age was a better America--a time and place that made him into the well-adjusted, happy, successful man he is today. In Mean Dads for a Better America, Tom reminisces about his childhood, his family, and the traditional values he cherishes. He takes us back to a time when neighbors disciplined each other's children without fear of being sued, when kids made it to the family table for dinner, when parents' rules were gospel, when the occasional fistfight was considered a fair way to solve a problem, and when children were free to roam, make mistakes, and experience the first tastes of independence. Tom debates, debunks, and entertains with his hilarious approach to issues of the day, tackling the issues that confound many Americans, like our hypersensitive culture and overzealous parenting. As Tom celebrates the stability of family life and the sanity of days gone by, he encourages us to hold on to our sense of humor and look back at our own lives, as we work towards creating a better future for ourselves and our kids, all while making us laugh.

These times were destined to be left to the past as fossilized gems in my memory. The only way to return to them is a story, and because of their oddity, I cannot refuse chronicling them. Nothing will be able to fully capture the feeling of these times, but the next best option is walking through them as an original experiencer instead of a guide. With each story comes a new circle of experience, indispensably linked to the zeniths and troughs of those that follow. So plunge in to unveil the patterns within these stories of psychedelic voyage, fear, absurdity, and the divine. Laced with philosophy and swift progression, years of realization are condensed into moments. The full meaning remains an enigma, as I still wonder what it was all about, but now I humbly invite you to walk through with me.Christian Meteor is a self published indie author with his first work available: The Patterns of Existence. This non-fiction book includes a collection of personal short stories woven with philosophy.

This vintage book contains short stories, essays, articles and others writings by American author Willa Cather. Contents include: "On The Divide", "Eric Hermannson's Soul", "The Sentimentality Of William Tavener", "The Namesake", "The Enchanted Bluff", "The Joy Of Nelly Deane", "The Bohemian Girl", "Consequences", "The Bookkeeper's Wife", etc. A fantastic collection of assorted writing by a Pulitzer Prize winner worthy of addition on any bookshelf. Willa Sibert Cather (1873-1947) was an American writer famous for her novels related to frontier life on the Great Plains. Other notable works by this author include: "O Pioneers!" (1913), "The Song of the Lark" (1915), and "My Ántonia" (1918). This classic work is being republished now in a new edition complete with an excerpt from "Willa Cather - Written For The Borzoi, 1920" by H. L. Mencken.

Paperback

'Lie to me by the moonlight. Do a fabulous story.'F. Scott Fitzgerald's first story collection, Flappers and Philosophers, appeared in 1920 on the heels of his debut novel, This Side of Paradise, and immediately established him as a master of popular fiction. Love stories such as 'The Offshore Pirate' and 'Head and Shoulders' capture the spectacle and fantasy of the Jazz Age, celebrating that modern icon of feminine self-possession, the flapper, while comedies of manner like 'Bernice Bobs Her Hair' and 'The Ice Palace' showcase Fitzgerald's eye for humour. In addition to these four classic tales, which first appeared in The Saturday Evening Post , this edition highlights the author's proficiency with other crowd-pleasing story types: from Gothic fiction ('The Cut-Glass Bowl') to didactic moral stories ('The Four Fists'), from satire ('Dalyrimple Goes Wrong') to spiritual quests ('Benediction'), Fitzgerald tried his hand at many genres---and succeeded at all.

This series presents critical views on the most widely studied writers of short fiction. Each volume includes overviews of three to six short story writers, works, or topics and a historical survey of the critical response. Approximately 90-95% of critical essays are full text. Each volume includes acumulative author, topic, and nationality index as well as a volume-specific title index. A cumulative title index to the entire series is available separately.