Chinesische Literatur

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This book mainly addresses the position, function, influence, and values of folk oral literature in the history of Chinese literature. Divided into 14 chapters, it systematically covers central aspects of folklore literature such as ballads, folk songs, Bianwen, Zajuci, Guzici, Zhugongdiao, Sanqu, Baojuan, Tanci, Zidishu, and so on from the Pre-Qin to the late Qing Dynasties, filling several gaps in literary history studies. It is a comprehensive literary work, and many of the materials cited here are rare and difficult to find. In addition, the book proposes some important theories, especially six highly generalized qualities of folk literature, namely that it is: popular, collective, oral, fresh, effusive, and innovative.With detailed, extensive materials, and quotations, the book represents the most systematic and comprehensive work to date on ancient Chinese folk literature. It is mutually complementary with Guowei Wang's A Textual Research of the Traditional Chinese Opera in the Song and Yuan Dynasties and Xun Lu's A Brief History of Chinese Fiction; all three works are regarded as the most essential classics for researching the history of Chinese literature.

Chinese Whispers examines multiple contact zones between the Anglophone and Sinophone worlds, investigating how poetry both enables and complicates the transpacific production of meaning. In this new book, the noted critic and best-selling author Yunte Huang explores the dynamics of poetry and poetics in the age of globalization, particularly questions of translatability, universality, and risk in the transpacific context. "Chinese whispers" refers to an American children's game dating to the years of the Cold War, a period in which everything Chinese, or even Chinese sounding, was suspect. Taking up various manifestations of the phrase in the twentieth and twenty-first centuries, Huang investigates how poetry, always to a significant degree untranslatable, complicates the transpacific production of meanings and values. The book opens with the efforts of I. A. Richards, arguably the founder of Anglo-American academic literary criticism, to promote Basic English in China in the early twentieth century. It culminates by resituating Ernest Fenollosa's famous essay "The Chinese Written Character as a Medium for Poetry," exploring the ways in which Chinese has historically enriched but also entrapped the Western conception of language. <BR>

Delving deep into China's great transformation, this moving collection of stories probes the hearts of everyday individuals caught up in the country's rapid economic development. Told with tenderness and emotional acuity, these stories introduce us to a heartbroken taxi driver, a love-struck middle-aged mother, a courageous cutting-edge designer, a drifting waiter, a Tai Chi instructor down on her luck, and a young American in search of himself. They are all denizens of China's most vibrant city - Shanghai, united by the universal longing to feel connected, to be known, and to love and be loved.

Confucius is one of the most humane, rational, and lucid of moral teachers, concerned not with arcane metaphysics but with practical issues of life and conduct. What is virtue? What sort of life is most conducive to happiness? How should the state be ruled? What is the proper relationship between human beings and their environment? In this classic translation of The Analects by Arthur Waley, the questions Confucius addressed two and a half millennia ago remain as relevant as ever.

This book examines the unique poetics of Shao Xunmei ¿¿¿ (1906-1968), a Chinese poet who has long been marginalized by contemporary criticism. Shao aspires to reach the condition of music in poetry, which bears a resemblance to three Anglophone writers whom he applauds: Algernon Charles Swinburne, Edith Sitwell, and George Augustus Moore. The Condition of Music and Anglophone Influences in the Poetry of Shao Xunmei investigates how these three writers influenced Shao, and how this inspiration helped shape his idea of the condition of music in poetry. In the scope of world literature, this book aims to fill a small but important puzzle piece in the global network of literary influence. In a world where cultural exchanges have become increasingly frequent and convenient, and at a time when counter-globalization seems to burgeon into a hazardous trend, it is beneficial to look back to the 1920s-1930s, a time that is as equally tumultuous as today, to examine the global influence network that has taken us where we are, and to understand that in the dynamic of literary influence, no single piece of literature can have its significance alone. This groundbreaking book will benefit the scholarship of Shao and contribute to the relevant research in Chinese studies and word and music studies. Therefore, it will be of great use and interest to researchers of comparative literature, Chinese literature, and world literature, as well as scholars of word and music studies.

A Legacy Magnified: A Generation of Chinese Americans in Southern California, 1980's-2010's (¿¿¿¿¿¿¿¿¿¿¿¿) is a monumental publication jointly authored by a team of renowned group of writers consisting of 17 chapters, nearly 1 million words, and more than 1,300 photographs, many of which are collected from historical archives. It is an unprecedented endeavor undertaken by more than 500 volunteers who were privileged to have witnessed the drastic and amazing transformation of Chinese American communities in Southern California during the critical three decades, from the 1980's to the 2010's.This handsome volume encompasses an historical account of multifarious realms of community development, including various aspects of culture, history, political participation, economic growth, businesses, education, language, sports, mass media, science and technology, scholarly research, literature, music, dance, theatre and other performing arts, among other subjects.This book is substantial, and is dedicated to "All Chinese of past, present, and future generations who contribute to the world culture by incorporating the quintessence of Chinese civilization and their heritage."

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Chinese History and Literature: New Ways to Examine China's Past collects important studies on Chinese history and literature studies conducted by the academics at East China Normal University (ECNU) in recent years. The book covers topics including the study of Chinese Economic History, "Jiangnan Identity" in Chinese history and literature, a new study on the cause of the great proscription, the artistic presentation of a tragic character, among others.This book is the second volume in the WSPC-ECNU Series on China. The WSPC-ECNU Series showcases the significant contributions to scholarship in social sciences and humanities studies about China. The Series is jointly launched by World Scientific Publishing, the most reputable English academic publisher in Asia, and ECNU, a top University in China with a long history of exchanges with the international academic community.

Provides a new perspective on important linguistic issues in philosophical and religious Daoism through the comparative lens of twentieth-century European philosophies of language.From its earliest origins in the Dao De Jing, Daoism has been known as a movement that is skeptical of the ability of language to fully express the truth. While many scholars have compared the earliest works of Daoism to language-skeptical movements in twentieth-century European philosophy and have debated to what degree early Daoism does or does not resemble these recent movements, Daniel Fried breaks new ground by examining a much broader array of Daoist materials from ancient and medieval China and showing how these works influenced ideas about language in medieval religion, literature, and politics. Through an extended comparison with a broad sample of European philosophical works, the book explores how ideas about language grow out of a given historical moment and advances a larger argument about how philosophical and religious ideas cannot be divided into "content" and "context."