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Produktinformationen "Don Giovanni's Reasons: Thoughts on a masterpiece"

Although Mozart's Don Giovanni (1787) is the most analysed of all operas, Lorenzo Da Ponte's libretto has rarely been studied as a work of poetry in its own right. The author argues that the libretto, rather than perpetuating the conservative religious morality implicit in the story of Don Juan, subjects our culture's myth of human sexuality to a critical rewriting. Combining poetic close reading with approaches drawn from linguistics, psychoanalysis, anthropology, political theory, legal history, intellectual history, literary history, art history and theatrical performance analysis, she studies the Don Giovanni libretto as a radical political text of the Late Enlightenment, which has lost none of its ability to provoke. The questions it raises concerning the nature of compassion, seduction and violence, and the autonomy and responsibility of the individual, are still highly relevant for us today.

H | B | T | Gramm
210 mm | 148 mm | 13 mm | 0.289 kg

Erscheinungsjahr
2021

Ausgabe
1

FSK
0

Ausgabe
Taschenbuch

Verlag
Peter Lang

ISBN-10
3631817967

ISBN-13
9783631817964

Autor
Baker, Felicity; Tessing Schneider, Magnus

Sprache
Englisch

Seitenanzahl
218

Themen
Philosophie des Geistes, Literaturwissenschaft: Lyrik und Dichter, Klassische Theaterstücke, Dramen vor 1900, Literaturwissenschaft: Dramen und Dramatiker, Lyrik einzelner Dichter, Philosophie des Geistes, Partituren, Libretti, Liedtexte

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Baker, Felicity; Tessing Schneider, Magnus

Autor/in

Baker, Felicity; Tessing Schneider, Magnus

Felicity Baker is a Reader Emeritus in French, University College London, who has published and lectured internationally on eighteenth-century literature since the 1960s. Her main research areas are Lorenzo Da Ponte, Mozart¿s librettist, and Jean-Jacques Rousseaüs philosophy of freedom and equality, his contractual thinking in the Late Enlightenment and its significance today. Magnus Tessing Schneider holds a PhD from Aarhus University, Denmark, and works as a researcher in theatre studies at Stockholm University. His research centres on the dramaturgy of Italian opera, including the operas of Monteverdi, Gluck, Mozart and Verdi.

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